Essay --

By the end of 18th century, with the industrialization of leaf blade and glass, architecture began to take on a different role in the society. architecture was no longer near building structures for an individual, but was about concerning with beauty, style, and aesthetics within the technology of spot (Conway 8). The idea that building cocksure subterfuge equals architecture was no longer valid, as the equation undermined the honest convey of architecture. In Understanding Architecture, Hazel Conway states, the allocation of living space is economically, socially, and culturally determined (6), when discussing the purpose of architecture. This means that the surrounding environment of the building, withal referred to as built space, is often intertwined with social relationships. Built space so-and-so be defined as the philosophical way of referring to architecture. To a real extent, the architecture becomes about the philosophical investigation into built space, rathe r than establishing a sensation building. Through the examples of artists and architectures, such as Rachel Whiteread, Robert Smithson, Meis Van Der Rohe, and Gordon Matta-Clark, this paper get out license how art pushes architecture into critical examination of built space. In doing so, it will be evident that artists and architecture define sculpture, object, prototype, installation, network, building, assemblage, and/or habitat differently. An artist who dealt with technologies of built space is Rachel Whiteread. The nub concepts of Whitereads work includes, playacting with ostracise space and scale, and focusing on line and form. In the find fault called Judenplatz final solution Memorial a.k.a. Nameless Library, Whiteread employments sculpture to represent what is not there, the alter space. By... ...about recreating scale. When a person sees this piece from an airplane view or on a balcony, he or she will experience the massive measuring stick of the celluloid na ture that has been produced. However, when a person sees this piece from a found level, the 14,000 translucent, snow-clad boxes just becomes a boring, chance(a) object. Depending on the location of the watchers presence, the piece symbolizes a different meaning. This piece is similar to the flora of Tara Donavon, whose core concepts include playing with scale and working with multiplicity. She is known to use prevalent household substantives to create large-scale installations and sculptures. In the piece Styrofoam cupful Sculpture, Donavon glues innumerable amount of Styrofoam cups together to create a synthetic material that challenges the viewers to have second thoughts about the basic functions of everyday material. Essay -- By the end of 18th century, with the industrialization of steel and glass, architecture began to take on a different role in the society. Architecture was no longer about building structures for an individual, but was about concerni ng with beauty, style, and aesthetics within the technology of space (Conway 8). The idea that building plus art equals architecture was no longer valid, as the equation undermined the true meaning of architecture. In Understanding Architecture, Hazel Conway states, the allocation of living space is economically, socially, and culturally determined (6), when discussing the purpose of architecture. This means that the surrounding environment of the building, also referred to as built space, is often intertwined with social relationships. Built space can be defined as the philosophical way of referring to architecture. To a certain extent, the architecture becomes about the philosophical investigation into built space, rather than establishing a single building. Through the examples of artists and architectures, such as Rachel Whiteread, Robert Smithson, Meis Van Der Rohe, and Gordon Matta-Clark, this paper will demonstrate how art pushes architecture into critical examination of buil t space. In doing so, it will be evident that artists and architecture define sculpture, object, prototype, installation, network, building, assemblage, and/or habitat differently. An artist who dealt with technologies of built space is Rachel Whiteread. The core concepts of Whitereads work includes, playing with negative space and scale, and focusing on line and form. In the piece called Judenplatz Holocaust Memorial a.k.a. Nameless Library, Whiteread uses sculpture to represent what is not there, the empty space. By... ...about recreating scale. When a person sees this piece from an airplane view or on a balcony, he or she will experience the massive quantity of the artificial nature that has been produced. However, when a person sees this piece from a ground level, the 14,000 translucent, white boxes just becomes a boring, everyday object. Depending on the location of the viewers presence, the piece symbolizes a different meaning. This piece is similar to the works of Tara Don avon, whose core concepts include playing with scale and working with multiplicity. She is known to use everyday household materials to create large-scale installations and sculptures. In the piece Styrofoam Cup Sculpture, Donavon glues countless amount of Styrofoam cups together to create a synthetic material that challenges the viewers to have second thoughts about the basic functions of everyday material.