.

Wednesday, May 29, 2019

The Craft of the Cover Essay -- Music Artist

There is nothing unused under the sun. This could be considered to be the unauthorised credo of the Postmodern movement, and it wouldnt be an inaccurate statement to make. There are few universal themes the pursuit of love, the satisfaction found in trying work, the youthful struggle against the status quo, the hatred of oppression and control being among those most often quoted, and there are only so many ship canal to package and repackage these messages in a fashion readymade for public consumption. Pop culture is like a melting pot for these ideas. It is a cultural stew feature with themes and Grand Narratives. And yet the Postmodernists scorn the idea that there can be new themes discovered, and new modes of presenting those themes in a perfect, complete way. This struggle to discover new ways of revealing truth to the public has caused artists throughout history to turn to cover songs. And this use of covers has become emblematic of the Postmodern philosophy, whether due to the stagnation of the creativeness of young artists, or the nostalgia with which Postmodernists view the past.A cover song is a song that is played by an artist other than the original creator. If I were to jut out a band and play Smoke on the Water by Deep Purple, I would be covering their song. Performances of old hymnals and American spiritual home tunes like House of the Rising Sun and Where Did You Sleep Last Night? are all covers, simply played by artists as a message of connecting with their audience through mutually well known songs. In the 1950s and 60s, however, the purpose of covers began to change. Record companies began having artists rerecord songs, for the purposes of disseminating it among a broader or different section of the record-buying pub... ...he sun.Works CitedDimaggio, Paul. heathenish Capital. Encyclopedia of Social Theory 1 (2005). Print.Harvey, David. The Condition of Postmodernity. The unexampled Social Theory Reader (2001). Print.Dave Laing. Fol k Music Revival. Grove Music Online. Oxford Music Online. 5 Dec. 2010 .Natoli, Joseph P., and Linda Hutcheon. A Postmodern Reader. Albany State University of New York Press, 1993.Storey, John. Cultural Studies and the Study of Popular Culture. Edinburgh Edinburgh UP, 2010. Print.Weisbard, Eric. POP MUSIC A Simple Song That Lives Beyond Time. New York Times 13 Nov. 1994. Print.Robert Witmer and Anthony Marks. Cover. Grove Music Online. Oxford Music Online. 5 Dec. 2010 .

No comments:

Post a Comment